Here are more photos which I brought back from Sevilla. This time not people-centric, but exploring the details that make a city, the colours, the grit, the imperfections…. which to me say more about a city, it’s history and its culture than any panorama shot out there van convey. Well, that’s my opinion…
One of the places in Europe which I have been meaning to visit for ages is Andalusia. I’ve always been fascinated by the history of that particular corner of Europe, and the mix of cultures and religions (Muslim, Jewish, Christian) that existed for the span of a few centuries. I don’t know why it took me so long, but this month I finally got around to visiting it. I stayed in Sevilla for a week, which gave me plenty of time to visit the city and also take day trips to places like Córdoba and Cadiz. I missed out on places like Granada, but that gives me an excuse to go back there sometime.
Sevilla’s crown jewel is of course the Real Alcázar palace, a fascinating mix of Arabic, Mudéjar, Medieval, Renaissance and Baroque architecture. Other highlights include the Plaza de España and the Casa de Pilatos. In Córdoba, the highlight is the Cathedral which is a transformed Mosque, which again was built using Roman foundations.
While I visited all the touristy places, I also took time out to just walk the streets and observe and photograph people. That was easier said than done, seeing the temperatures were always in the high 30s, but I walked some 15-20km pretty much every day.
I have posted a selection of the street photographs to my web site: Streets of Sevilla. It includes photos from a number of the spots listed above, but also photos taken around the city. Despite its name, the set also includes photos from Córdoba and Cadiz.
Despite having been to Paris numerous times, I never got around to visiting the castle of Versailles. So on my recent trip to Paris a couple of weeks ago, I decided to remedy this. I don’t know if this was a bad idea in general, or just bad timing, but I waited in line for two hours and twenty minutes to get into the castle. The place was packed of course, especially since whole tourist groups are led through there and clog up the rooms. While under normal circumstances, Versailles might be well worth a visit for both the history and the richness of the décor and art on display, but as the place was overcrowded, I got very little joy out of it. What joy I did get resulted from observing the people, many of whom seem to get their joy out of seeing the castle through their smart phones and tablets. Here is a selection:
More street photography from London, this time in bright Velvia colours. Taken in and around Camden Market in North London, and Brick Lane in the East End. Both these places attract street photographers, I saw quite a few out and about. Most seem to use zoom lenses (some of them obscenenely huge). I myself prefer prime lenses, here I used the 35mm. For some reason I don’t like zooming in on people – I feel like a Peeping Tom doing that. But maybe that’s just me? Did I watch too many bad movies?
It’s been a while… here are some new street portraits and street photographs from a sunny day in London. There is nothing like travelling to get the creative juices flowing. That, and decent weather, i.e. light.
All images shot with a Fujifilm X-T20 camera and the 35mmR1.4 lens. Colour photographs to follow…
I have uploaded the last set of my Morocco travelogue section with photos from Meknes, one of Morocco’s four imperial cities. Meknes is a bit off the beaten track, not as popular and crowded as nearby Fes, but I hugely enjoyed the city, which is relaxed and its people extremely friendly and welcoming, more so than in the larger tourist destinations. It helped that I stayed in a very cute and comfortable Riad with a room on the rooftop, run by a verg welcoming family.
Meknes doesn’t have that many obvious tourist attractions, which was fine by me as I enjoyed wandering the streets and having a relaxed time photographing the old town, again fascinated by the many colours and textures on display, which is what I tried to capture in the photographs.
Again, all photos taken with a Fujifilm X-T10, except for one or two iPhone photos.
Casablanca was my fourth stop on my Morocco itinerary. I had allocated only two days for it, mostly on the recommendations of friends and guidebooks who claimed that there was not much to see in Casablanca. They were wrong.
There are basically three sections to the set. The first one is a series of photos which I took around and inside the huge Hassan II Mosque, which is the largest mosque outside of Saudi-Arabia, and one of the very few mosques in Morocco where non-Muslims are allowed to enter. It is a fascinating building, and quite an engineering feat. It also understands itself as an inclusive place of worship, incorporating design elements from Judaism, Christianity and Buddhism.
The second group of photos were taken by the seaside, on and near the “corniche” at Anfa. Here I shot the dilapidated, enpty seaside resorts and other once-modern buildings by the sea. These photos are in colour, the rest are in black and white.
The third group of photos I took in the city center, featuring chiefly the art deco buildings from colonial times. Additional photos highlight the new, modern architecture along the sea front.
One of my tourist guidebooks mentioned that people tend to come away disappointed from Casablanca because they associate the city with the movie of the same name, and that the city is nothing like the movie. Apart from the fact that I don’t recall much of the city of Casablanca being shown in the movie (I remember mostly the inside of Rick’s bar and some vague matte paintings of a city in the background), I actually found that the Art Deco buildings reminded me very much of the movie: the vestiges of a passed era, an architecture and style not quite here nor there, i.e. not quite European and not quite Moroccon, and above all, with its emphasis on white and black, best viewed in black and white.
The second set of my Morocco travelogue section is now online. It covers what was actually the last leg of my three week journey through that country: the Southern town of Ouarzazate and the area southeast of it: the Anti-Atlas mountains, the fertile Drâa valley with its date palm plantations, and the Sahara desert.
This part of the trip ended up being my favourite part. I stayed for five days, which some considered long, but I enjoyed the laid back feeling of Ouarzazate and especially the landscape. I don’t normally do landscape photography, but in these parts, I hugely enjoyed photographing the fascinating scenery.
I’m currently still sorting through the hundreds of photos which I took on my three week trip through Morocco, and after the street portrait & photography set, I have now published another set in the Travelogue section of my site, this one focusing on the colours of Marrakesh. Colour is what visitors tend to associate with Moroccon cities: above all the warm reds, but also rich blues, bright yellow and orange offset against white, ochre and other Earth colours. And indeed, the colours are astounding, but even more so are the intricacies of the designs combining the colours, whether they are mosaics, tiles, paintings, reliefs or graffiti.
In Marrakesh, I was staying in a Riad in the heart of the medieval, maze-like medina. I only had to step outside the door and walk down whichever alley I chose to be submerged in the richness of Moroccon design. Haunting the medina in the early hours of the morning and capturing the colours and the textures was certainly a highlight of my stay in Marrakesh. Quite frankly, this random walking through unknown parts of the city is an activity which I enjoy so much more than sightseeing – even though this activity was lost on the locals, who kept pointing out to me that there were no sights whereever I was heading.
The set of photos I chose to upload focuses mostly on details. I included the photos that are about what I enjoyed most in Morocco, the unique feeling that emanates from the colourful, playful designs. Apart from the photos from the median, there are also some taken in the cheerfully blue Jardin Majorelle (erstwhile home of the late fashion designer Yves Saint Laurent), the Menara Garden and the Saadian Tombs. There are some photos from a couple of tanneries where leather is made from cow and goat hide. There are three black and white images from the New City as well. I did include a number of street photographs as did not want the set to solely focus on design. After all, any portrait of a city is only complete with the people in it.
All except two images were captured with a Fujifilm X-T10 camera, the remaining two were captured with the iPhone Hipstamatic app.