Exterior Night: Berlin (Part 3: Industrial Lights & Magic)

The third part of my series on Berlin night photography showcases a few images that are not about the glittering lights of glass and chrome towers, but the grittier lights of industrial buildings.

The photos were all taken using an iPhone X, and I must say, I have been pleasantly surprised at how well the iPhone now handles low-light situations. While I wouldn’t trade the Fuji cameras just yet, I believe the iPhone has become a viable option for architectural photography such as this. But judge for yourself…:

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Exterior Night: Berlin (Part 2: World of Mute)

I recently watched the movie Mute on Netflix, Duncan Jones’ sci-fi thriller set in a futuristic Berlin. The movie, which I liked, did itself no favour by using panoramic shots clearly inspired by Bladerunner, when the movie was in totally different vein, and most critics never saw beyond that comparison to Bladerunner and basically  thrashed it (if you’re interested, here is a review that I actually agree with).

I was reminded of the movie when I put together this set of photos for the blog. Mute‘s panorama shots are so unlike Berlin, but its regular exterior scenes, a mix of actual footage and CGI, quite nail the city. Berlin isn’t, and will never be, a city like L.A. or New York or London, but it has its own cityline, a strange mix of the new and the old-ish, especially in the East part of Berlin, where the once-divided city’s socialist inheritance mixes, and clashes, with the shiny new capitalist present.

The photos I chose for this blog entry were, with one exception, taken in Alexanderplatz, which was the heart of former East Berlin, and you could even claim that it is the heart of all Berlin now. All photos were taken from places higher up, mixing a view of the streets below with the buildings above.

The photos were taken using Fujifilm cameras and the iPhone.

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Best Of Portraits 2017

Looking back on 2017, I can tell that my photography moved in two directions: sideways and forwards. Sideways because I moved away from the main focus of the previous years which was candid street photography, and towards portrait photography, either in the form of street portraiture (i.e. capturing strangers on the street) or of capturing people around me.

I also felt that my photography moved forward because I adopted a more formal approach in shooting portraits. That is, I did not just casually photograph people around me, but directed people in various settings so as to play with light, background and angles. I shoot mostly in natural light but I warmed to using flash photography in combination with natural light. I also undertook dedicated portrait sessions. One was in the form of a workshop which included a model, another one was a photo session with my friend Rehan in Kolkata to create a series of portrait/fashion shoots in order to enable him creating a portfolio for his burgeoning model career. I used exclusively Fujifilm X-Series cameras, and while a 35mm is my lens of choice for the street, I shot the more formal sessions using a 56mm f1.2 lens.

I have now put together a set of what I consider the best of my portrait shoots from 2017. The set reflects both the street and the formal portrait approach [click here to view].

Not included in the set are the street portraits which I took in Kerala/India in October 2017, you can view those in a dedicated set [here].

For more of my people photography, click here.

Wishing you all a very good 2018, and may your life and your art move in whichever direction you want them to move.

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Exterior/Interior Night

There is something about cities at night when the streets empty, the shops close down and the lights from inside shine out. The night hides but it also reveals. Interiors and entrances light up as the night swallows the outside. Buildings appear differently, warmer, colder, stranger, depending on the light. Glimpses of lives that stay unnoticed during the day are suddenly revealed, while other sides of life hide away.

Glimpses of urban Berlin, inside out.

Camera: Fujifilm X-E2

Making Shapes

Donna from the MyOBT Blog contacted me back in October to ask if she could post a blog entry on my non-portrait photography, specifically the photos I had taken of building interiors. She posted the article back in October. I was travelling in India at the time and failed to respond properly then, and somehow it slipped my mind upon my return. Well here then finally, a big thank you to Donna for featuring my photos, and a big shout-out to her wonderful blog.

My OBT

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Tales of Strangers #5: Flieger

Along the river Spree in Berlin, tugged in between newly built posh riverside residencies, lies a squatter’s camp called Teepee Land. It has been founded by and is run by this man, who calls himself “Flieger”, which may be translated either as flyer or as aircraft. I walked through the camp last Saturday and asked Flieger if I could take a few photos, and I also spent some time chatting with him. While now, in winter, there aren’t that many people living here, he says they have some five hundred people pass through every year. People come from all over the world, many Europeans of course but also people from Africa and Asia. They live, as the name implies, mostly in teepees (so does Flieger), or in makeshift huts. Some pass through, but others seem to have settled on a more permanent basis. The coloured hut in the background is where a Japanese man is staying, one tent was occupied by a gay couple from Eastern Europe who fled repercussions in their home country; there is a also a Turkish man living there who became homeless after being forced from his flat by unscrupulous landlords who want to cash in on Berlin’s steep increase in rents. The camp also features a stage where they hold concerts in the summer, and a café where you pay as much as you like for your drink.

Flieger seems to choose the people who can live here, and he seems to choose them on the basis of whether they can contribute in maintaining not only their own teepee or hut, but the camp as well, as all inhabitants are expected to help keep the camp clean and functioning.Apparently the camp’s inhabitants have a good working relationship with the city government, and despite the fact that more apartment buildings are going up around them, Flieger has been assured that they can remain for the ‘foreseeable future’ (the camp is on public land). That is some measure of good news I guess.

The Photos below show Teepee Land. The colour photos were taken this past weekend while the black and white ones were taken in the summer.

Faces of Kerala: The Whole Picture

If you enjoyed my previous three blog posts about the portraits which I took while travelling the South Indian state of Kerala (starting with this one here), then hopefully you will enjoy this new set of portraits which I uploaded to my web site, Always Arriving. The set features a selection of 40 single and group portraits taken throughout my 10-day itinerary which took me from Kovalam to Trivandrum, Varkala, Kollam, Alleppey and finally Kochi. This my 12th trip to India was a very memorable one, I hugely enjoyed Kerala. The nature is spectacular, food is great and the people warm and welcoming, and I have come back from the trip with some very fond memories.

All photos were taken with a Fujifilm X-T20. For the portraits, I used exclusively the 35mm f1.4 lens, which despite its shortcomings (it is kinda slow) is still my go-to lens for street portraiture and street photography. While there are three black and white photos in the set, in India I very much enjoy shooting colour, as the very many vibrant colours are one of the defining visual aspects of India.

[Click here to view Faces of Kerala]

Faces of Kerala: Meet Me On the Streets

The final part of this series on portraits of people from Kerala, India. I travelled the South Indian state for 10 days, travelling from Kovalam to Varkala, Kollam, Alleppey and finally Kochi before heading north to Kolkata.

This article features regular folks which I asked to pose around the streets of these various places; or as happened in at least one case, where I was asked to take a photo (see the photo of the gentleman with the many-coloured buckets below). Most of the photos I took in Kollam, a city that many people told me wasn’t worth a visit but which I hugely enjoyed. It was utterly devoid of tourists and I roamed its streets for two days, meeting and photographing these folks you see depicted below.

The images epitomise much of what I like about India and why I keep returning there (this was my 12th trip): the warmth and generosity of the people which make each trip memorable. It shows in the photos, in how the people not only trust this stranger in capturing their portraits but also rejoice in it, and even take pride in it. It’s such a welcome contrast to the mistrust one encounters when trying to photograph people over here in Europe.

The next trip, by the way, is already in planning…

Graveyard Guard, Kollam
The Proud House Owner, Kollam 
Fruit Vendors, Kollam
The Reed Weaver, Kollam
The Lady by the Harbour, Kollam 
Working the Streets, Kollam 
Handyman, Kollam 
The Proud Shop Owner, Kollam
Fruit Vendor, Alleppey
Man on he Train, Alleppey to Kochi
An Umbrella For My Pride, Fort Kochi

Camera: Fujifilm X-T20 with 35mm lens.

Faces of Kerala: The Group Pic

Group pictures are almost a subset of street portraiture, and at least in India, they are an inevitability. They happen generally like this: you ask people if you can take a photo of them. In general, they agree, or at least the men do – if there are women with them, they tend to slink out of the picture. While you take the photos, other people are watching this, and they then come up to you as well, as a group, and want their photo taken., which then may trigger off a chain reaction…

The other way it happens is that a group of mostly young men come up and ask if they can take a photo with you, which of course I always agree to, then I take their photo in return.

Group pics are difficult to get right. People in a group are likely to clown around, or else get all serious as if it was a formal family picture. It’s very much also a generational thing: older folks would look formal and stiff, younger ones fall into the Instagram cool selfie face mode.

Be as it may, here is a selection of group photos which I took in various places in Kerala.

Muslim youths in Trivandrum (through a misted up lens)

On the Beach in Korvalum

Varkala
Streets of Kollum

All photos taken with a Fujifilm X-T20